So Where Is All The Work? How Do I Find It?
Here’s a few suggestions…
1) The first thing to do is get up off your drum stool and hit all the local clubs, bars and studios. This is where all the musicians hang so this is where you need to be.
Ask to sit in on jam nights and make a point of shaking hands with everyone in the room. Let people know you are available and hand out a business card wherever possible.
Every musician, musical director and producer in town should know who you are and what you’re capable of but make sure never to be a d*** about it.
2) Pick up the phone and call all the local function bands. Introduce yourself in a polite and professional manner.
Tell them that you are available for dep work and offer to send a demo reel that showcases your work. Ideally you should have a website that serves this purpose.
If you’re unsuccessful offer to tech for free on a couple of gigs. There is always a turnover of musicians and if you are first in mind, you’ll get the call when someone drops out or leaves.
3) Check your local listings, gumtree and craigslist. There are always bands looking for drummers.
You can also register with www.thestage.co.uk in the UK and www.musicianscontact.com in the US. Whenever you do a gig or an audition make sure to leave a lasting impression so that you are never short on referrals.
4) How many kids in your town want drum lessons? Probably enough to fill up a couple of days in your week. Spend a bit of time tarting up a practice space that you can teach from then put up flyers in schools and social clubs throughout your region.
Set up a website with details about your teaching studio, testimonials and easy to find contact information. You could then extend this into Skype lessons and clinics.
5) I think it’s in everyone’s best interest to think long-term and to consider building there own ‘product.’ Whether it’s a band, a show, a teaching studio, educational materials, a production studio or combination of.
This approach gives you far more financial stability and control over your career. Again, it’s not easy but it’s something that most pro’s do eventually.
Because I took some time to write a book I’ve been able to do things that many others have not. I was able to stop doing the gigs that I didn’t enjoy too much and start focusing on other projects that I really wanted to get my teeth into. What could you do?
Final Thoughts
With some hard graft in the practice room, plenty of networking and the drive to learn about the business side of things you can definitely pave the way to a successful drumming career. It’s quite simple in theory but never mistake that simplicity for easiness. The market is competitive, you’ll have to work hard to find jobs and work even harder to keep them.
The positives, however, far outweigh the negatives. Playing your instrument for a living, seeing the world and making a positive impact in peoples lives is pretty amazing when you think about it. If this is something that you really, really want then go for it and don’t let anything stand in your way.
Good luck! DN