Earthworks DK7 Drum Kit System Review:
What To Expect from This Drum Mic Kit
The Mics:
4 DM20 Small-Diaphragm Cardioid Condenser Mics
The DM20s make up the majority of the mic pack. They’re intended to be used as close mics on the snare drum and toms. Unlike most other close microphones, they have a very sleek design. This is great as they tend not to get in the way when you’re playing the drums.
They’re designed with goose-necks, allowing very easy adjustability. The goose-necks are also incredibly sturdy and rigid, stopping them from moving when you don’t want them to.
Even though these DM20s are condenser mics, they have astounding cymbal rejection. They won’t pick up any sound from cymbals or other ambiance around them. If you place them correctly on the drums, you’ll hear the sweet spot of each drum very vividly.
2 SR25 Small-Diaphragm Cardioid Condenser Mics
The SR25s are arguably the most popular microphones on Earthworks’ product list. They’re highly sought-after, especially by drummers. These mics are extremely articulate, picking up every little detail of your drum kit.
They have a high SPL, meaning they can handle intense volumes with ease. So, they’re great overhead mics for drummers of all kinds. Both jazz and rock drummers will easily benefit from using them.
It’s very common to see drummers using only the SR25s along with a kick mic. Even without all the closer drum mics, a setup with SR25s as overheads will give you a full and high-quality sound. It will also sound incredibly natural in tone.
1 SR20LS Small-Diaphragm Cardioid Condenser Mic
The SR20LS is intended to be used as a kick drum mic. The design of it is very similar to the SR25s. However, it’s been tweaked to handle lower frequencies, making it excellent for bass drums.
Bass drum mics typically look quite bulky, but the SR20LS has the appearance of a pencil condenser. You may think this isn’t ideal compared to the thicker mics. On the flip side, it arguably works a bit better. Since the response is so flat and natural, you get an excellent round bass drum tone.
The only issue with this mic is that you’re going to have to do a bit of EQing if you want a highly processed bass drum sound. It’s the perfect easy mic for styles like jazz and classic rock. It just needs a bit of work in the mix for styles like metal.